Behind the Velvet Rope: Soon it would be too hot 2, was ubs at the Coal Loader as part of the 2022 North Sydney Art Prize.
Behind the Velvet Rope invites us to watch the spectacle of the climate crisis in action—again.
This work asks us to reflect on our own consumption—not only of fossil fuels, such as coal—but of the mesmerising scenes of devastation that we, collectively, have wrought. Seeing this work in the Coal Loader tunnels will infuse the work with both site-specific poignancy and a sense of urgency.
2022 North Sydney Art Prize
The Coal Loader Centre for Sustainability
2 Balls Head Drive, Waverton
14 – 29 May 2022
Soon it would be too hot melting at the Casula Powerhouse Arts Centre, 12-14 Feb 2021.
Soon it would be too hot is the first line of JG Ballard’s novel The Drowned World. Written in 1962, during the perpetual slow-burning crisis of the Cold War, it reads like a prescient vision of our current climate crisis.
Tracey Clement, Soon it would be too hot, 2021. Melting at Casula Powerhouse Arts Centre, 12-14 Feb 2021.
And here in Australia it is already too hot. Way too hot.
In the catastrophic bushfires of 2019-2020 climate change was made manifest: terrifying, deadly and spectacular. In fact the devastation was so lethal, so massive, such a spectacle, that the global media actually took notice. For a brief moment Australia was the unlucky country; a place where the reality of anthropogenic climate change could be observed wreaking havoc in real time.
It should have been a wake-up call. But then, still reeling from the bushfires, the coronavirus pandemic hit and the climate emergency fell out of the news cycle. But, of course, that doesn’t mean it has gone away. The climate crisis is still bubbling away, heating up, threatening all life on earth.
Tracey Clement, Soon it would be too hot (Big Ben), 2021. Melting at Casula Powerhouse Arts Centre, 12-14 Feb 2021.
In Soon it would be too hot multiple versions of the Eifel Tower, Sydney (Centrepoint) Tower, the Empire State Building, Petronas Towers, and Big Ben melt over the course of the exhibition. As these five iconic towers succumb to relentless man-made heat they are a bold graphic reminder that climate change didn’t just happen – we made this crisis.
And if the upward thrusting towers in Soon it would be too hot represent the anthropocentric, arrogant, individualistic, patriarchal culture which led to the climate crisis – characterised by the attitude that big is always better, too much is never enough and the natural world is a resource to be exploited for human gratification – then beeswax, the material they are made from, symbolises an alternative: a matriarchal, nonhuman and collective social structure.
As temperatures in Australia continue to rise summer has become an increasingly dangerous season – when we aren’t literally burning we are metaphorically melting. Soon it would be too hot seeks to keep anthropogenic climate change front and centre in the public consciousness, not to point the finger, but to spark action and kindle hope. Yes, we are all culpable, but we are also the only ones that can address this crisis. And we can do this together, working collectively.
Soon it would be too hot is the first line of JG Ballard’s 1962 novel The Drowned World. It is also the title of my solo show which was exhibited at the Casula Powerhouse Arts Centre, 23 January – 21 February 2021.
These work in progress pics show early melting tests and wax prototypes.
Tracey Clement: Soon it would be too hot
Casula Powerhouse Arts Centre
23 January – 21 February 2021
Soon it would be too hot is the first line of JG Ballard’s novel The Drowned World, which I’ve been obsessed with for ages. (See previous responses here)
Soon it would be too hot is also a work in progress. Even Mr Spock isn’t quite sure what’s going on yet.
Watch this space!